Aerial Drone Architectural Photography
Aerial Drone Architectural Photography
Some recent good examples of Aerial Drone Architectural Photography show how getting up just 10 or 20 feet can make all the difference in an exterior of a building. These are both apartments complexes. The Lyndon pool is in San Marcos and the 959 Franklin images are from Eugene, Oregon. In those you can see that it was raining but I had just enough time to launch the Mavic Pro and shoot these two angles. The sky was ugly so replacing the sky in Photoshop was easy and necessary.
Aerial Drone Architectural Photography
Aerial Drone Architectural Photography
I was asked by an architect named Humphreys & Partners Architects who have offices in the US, Vietnam, China and Uruguay, to photograph some twilight aerial drone architectural photographs of a property in Austin, called ThinkEast Austin. Student Housing photography is my main forte so this apartment complex was a familiar project. As a professional architectural photographer in Austin I have learned that the drone is my best friend. Just to be elevated 10 to 15 feet to photograph a structure can make all the difference. The rain had just ended and I launched the DJI Mavic Pro in pretty heavy wind. Getting a fast enough shutter speed with the lowest possible ISO is always the challenge when shooting in the dark. You cannot shoot from a drone with a shutter speed higher than 1/30 especially if it is windy. My ISO was pumped up to 1000 but it worked out well after I did my adjustments in Adobe Camera Raw. The lighting on the building was not very attractive so I had to create my own light in Photoshop. I had to push and pull the shadows, highlights and white quite a bit to get a nice looking final image. Here is the before and after.
The Mavic Pro drone perfect perspective
The Mavic Pro drone perfect perspective
How many times have I been shooting architecture from a tripod and wishing I could get just 10 feet higher? The Mavic Pro drone adds the perfect perspective for those situations. The drone does not have the vertical perspective adjust-ability as the TS-E 17 lens does, but once you are up 10 or 20 feet, you don’t need it because the verticals are true at those heights.