Architectural Photography and Aerial Drone Photos for Barshop & Oles
Architectural Photography and Aerial Drone Photos for Barshop & Oles
As a professional architectural photographer in Austin Texas, I am always looking for ways to improve my photographs. For Barshop and Oles Company I recently had the chance to think outside the box. For this photograph of HEB at Lakeline Mall in Austin, I decided to merge 10 photos of people walking in and out of the store and mask each of the customers in so that the store looked even more busy than it was. Since the sky was an ugly hazy gray I replaced it in Photoshops with the new SKY REPLACEMNT tool which is absolutely a lifesaver when editing exterior photographs.
The client also wanted two aerial cityscapes – one of Austin and one of San Antonio, and asked me to try to blend the two into one photograph. The composite image has Austin on the Left and San Antonio on the Right. And of course I added a pretty sky to the blended image.
Some Recent Austin Architectural photography of Roscoe Property Managers
Some Recent Austin Architectural photography of Roscoe Property Managers.
Roscoe Property Managers asked me to photograph interiors and exteriors and drone aerial photos of several multi family developments here in Austin. These images show some the outstanding designs that Roscoe can achieve. Most of the ground photos are on a Manfrotto Neo Tech Tripod with a Canon 5 D Mark III and a TS-E 17, f/4L Tilt Shift Lens. The aerial photos are with my DJI Mavic Pro 2 Drone.
Architectural Photography for Students – Part 4
Architectural Photography for Students – Part 4
As a professional architectural photographer in Austin, one of my most important lessons is Architectural Photography for Students. Often I will let them use their own equipment which usually includes at least a 28 mm zoom lens, and occasionally a 16 mm or 17 mm lens, which is about as wide as you want a lens for interior architecture because after that structures start getting very warped and there is significant keystoning that has to be corrected in Photoshop. Our general strategy is to shoot 5 bracketed exposures and blend those exposures in Photoshop. Nolan decided to use my lens since it is a Canon 17 mm tilt-shift lens which is an architectural photographers best friend because a tilt shift lens allows you to shoot your scene honoring true verticals and at the same time shift your lens up and down to your liking for the best composition. Here is what Nolan achieved shooting the new Public Library of Austin.
As an architectural photographer, Student Housing is my strong suit. I travel the country photographing luxury housing projects that are newly built, or that have been renovated. I was asked by national student housing developer to photograph two project on the University of Texas Austin campus. This one is Rio on West. I took Jake with me to do the shooting. I made him wait till twilight knowing full well that these scenes would scream 20 minutes after sunset. This is what Jake ended up with for two of the exteriors.
Floral and Scenic Photography for Students – Part 3:
Floral and Scenic Photography for Students -Part 3
All of my Mentees from Westlake High School.
Regarding Floral and Scenic Photography for Students, Some of my male students roll their eyes when I suggest shooting floral, including natural light as well as lighted still life and light painted floral arrangements. However they quickly realized how complicated it can get when we get into lighting and light painting arrangements. Chloe and I hung this orchid cluster from a cross bar and painted it with a flash light over about a 10 second exposure and then we masked in the spot lit areas in Photoshop.
Eleana and I drove to the Austin Botanical Gardens to photograph water lilies in natural light. The sun was just low enough to cast the edge of shadows to give this lily a bit of POP. In photoshop we duplicated the base layer and changed the blend mode to soft light. We duplicated it again and change the blend mode to multiply. Then we selected the flower, reversed the selection and masked in a water and lily pad background from a different shot.
The reason I like roses and orchids so much is because the petals are translucent, so they let light through them. This make them prime candidates for back lighting. This rose that Morgan and I photographed, is a great example. There is no front light. It was lit only from behind. You can see the flashlight Morgan was holding behind the rose in the first shot.
I introduce my students to the different rules of composition early on. In this Gerber Daisey photograph, we used one single flash with a soft box on the right. Morgan did a great job of cropping the images so that the flowers fell perfectly into the 45 degree rule.
Nolan and I also photographed some blue orchids. This image is a combination of 3 different front spot lighted areas and two backlit areas. He did a great job of honoring the rule of thirds when he did his final crop.
And one more Orchid arrangement with Krishan. He also did front and back lighting and masked in spot lit areas to create his master image.
Nolan and I attempted to emulate the still life floral style of Paulette Tavormina. I shopped at Central Market for the props, and my wife Samantha Stevens carved out some time from her Austin based job coaching day and built this gorgeous arrangement. Actually there is very little editing in this final image, just a couple of spot lit area on the right that the key light on the left could not reach.
One of my favorite locations for introducing my students to landscape and scenic photography is the Pennybacker Bridge over Lake Austin. It is iconic, and the students always have something special to print up and take home with them. With Elena and Jake, the lesson involved learning how to evaluate a panoramic scene, leveling the camera to shoot 5 or 6 bracketed exposures and overlaping each shot so that Photoshop would be able to merge them all together into one scene. Here is what they came up with. Elena was delighted when friend of mine offered to pay her $100 for a 30 inch print of her panorama.
Morgan and I photographed a City-scape of Austin. You can tell that this was a few years ago – 2014 to be precise because the Frost Bank Building is featured and visible. Today, it is hard to find an angle where you can see any of that building.
Part 2: Portrait Photography: All of my Mentees from Westlake High School.
Part 2: Portrait Photography
All of my Mentees from Westlake High School.
I like to start my training off with Abstract which was covered in the last blog post. I do this because the subject matter is not talking back to us. I tell my students that Portrait and Wedding photography are a totally different beasts. Portrait is especially gruelling because the subject is looking dead at the camera (often), meaning staring at you the photographer, and waiting for you to finish this grueling experience of having to get their photograph taken. The more the subject is sweating, the more you sweat. More often than not, we as photographers are required to entertain the subject while navigating the controls on our camera (that we cannot see clearly because our sweat is dripping on the viewfinder) and praying to God that our wireless triggers and lighting will not suddenly stop communicating with each other (which they do). Portrait photography is indeed stressful for those reasons.
Krishan wanted to photograph an exotic car. My friend offered up his Bentley and we set up to do some spot lighting around the car which we would then composite each lit area together later in Photoshop.
But I thought, HEY – why not add in an element of stress and pay a pretty model to pose by the car? That would be good training for a student!
And the final edited image after we composted all the spot lighting on the house and the car and replaced the house windows with an ambient shot.
For my Mentee Elena, we headed downtown and scouted for a spot to shoot a portrait of Lauren. Deep in an ally with homeless guys, was the back entrance to a bar on 6th street. I loved the graffitti. Elena and I switched positions holding the umbrella with a strobe.
Elena needed a senior portrait done so I made her set up this scene on Barton Creek and then pose on a rock.
My friend Lane volunteered to be our subject for Nolan’s portrait exercise. Fortunately, Lane Orsak needed a new portrait to promote his new book called Dylan’s Divide and he had some new artwork he just completed. And even more fortunately, Lane’s portrait turned out to be one of my favorite ever. Nolan and I spot lighted the background and composited those behind an image of Lane which we lighted with one big soft light on camera right, and a kicker light on camera left.
I took Morgan with me to a commercial shoot of Austin artist Truman Marquez’s Gallery. We photographed two models separately and composited them both into the final image.
Morgan also helped me arrange and execute a more complicated Portrait that I photographed for the purposes of entering for judging with the Professional Photographers of America. We hired 3 models and rented the outfits from Lucy in Disquise here in Austin. Rocky the lab was free.
And also for Krishan we set up a backdrop and hired a model to do some 3 point lighting set ups, including main light, bounced fill light, and kicker light.
Emulating the still life photographic style of Paulette Tavormina
Emulating the still life photographic style of Paulette Tavormina
One of my Westlake students for whom I am a photography mentor for the Independent Study Program at Westlake High School wanted to shoot a still life. I have always admired the work of Paulette Tavormina. Her fine art photography rises above the crowd of fine art photographers. Here is an example of her work.
My student, Jake and I moved some furniture around in my living room and built a black backdrop to cut out the ambient light. We lit the scene from several different angles with a Westcot mini strip light and painted in the lit areas in Photoshop.
Here is what we ended up with.
Converting the Living room for a Studio Portrait
Converting the Living room for a Studio Portrait makes you think about setting up a permanent studio somewhere. I did this for my Westlake High School mentee, Krishan so he could learn the basics of portrait photography. Our set up was a 3 point lighting setup – a main light, back light and a bounce card for the fill light. Skylar was our model from San Marcos.
Student Housing Pool Deck
Student Housing Pool Deck at 191 College
This is a great example of one of American Campus‘ student housing Pool decks. It is at 191 College in Auburn Alabama. The lighting at night is really spectacular. When shooting architectural photography like the student housing pool deck, I try to shoot as much as I can 30 minutes before sunset to about 30 minutes after sunset. When the ambient light get closer to matching the interior or deck lights, the combination is very lovely.
Photographing Student Housing with the drone
Photographing Student Housing with the drone
How many times have I just wanted to get the camera up 10 feet to really showcase the exteriors of some of the student housing properties I have shot? Photographing aerial Student Housing with the drone is the simple answer because the drone allows me to get a different perspective on the property. Usually I noticed that I do get some keystoning distortion simply because I am often shooting down. This is easily corrected with the vertical perspective tool in Camera Raw in Photoshop. Here an example of the difference in perspective from ground photographs off the tripod and similar ones from the drone. These are both the same property by American Campus Communities.
Aerial Drone Architectural Photography
Aerial Drone Architectural Photography
I was asked by an architect named Humphreys & Partners Architects who have offices in the US, Vietnam, China and Uruguay, to photograph some twilight aerial drone architectural photographs of a property in Austin, called ThinkEast Austin. Student Housing photography is my main forte so this apartment complex was a familiar project. As a professional architectural photographer in Austin I have learned that the drone is my best friend. Just to be elevated 10 to 15 feet to photograph a structure can make all the difference. The rain had just ended and I launched the DJI Mavic Pro in pretty heavy wind. Getting a fast enough shutter speed with the lowest possible ISO is always the challenge when shooting in the dark. You cannot shoot from a drone with a shutter speed higher than 1/30 especially if it is windy. My ISO was pumped up to 1000 but it worked out well after I did my adjustments in Adobe Camera Raw. The lighting on the building was not very attractive so I had to create my own light in Photoshop. I had to push and pull the shadows, highlights and white quite a bit to get a nice looking final image. Here is the before and after.